» » Anton Bruckner - SO des Bayerischen Rundfunks / Rafael Kubelik - Sinfonie Nr. 3 (2005) {Hybrid-SACD // EAC Rip}
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1-09-2015, 05:20

Anton Bruckner - SO des Bayerischen Rundfunks / Rafael Kubelik - Sinfonie Nr. 3 (2005) {Hybrid-SACD // EAC Rip}

Category: Music


Anton Bruckner - SO des Bayerischen Rundfunks / Rafael Kubelik - Sinfonie Nr. 3 (2005) {Hybrid-SACD // EAC Rip}
Anton Bruckner - Sinfonie Nr. 3 d-moll
Symphonie-Orchester des Bayerischen Rundfunks / Rafael Kubelik
EAC+LOG+CUE | FLAC: 278 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Audite # 92.543 | Country/Year: Germany 2005, 1962
Genre: Classical | Style: Romantic, Symphonic

""...Still, the 1962 is not first rank for todays st&ards but is very good for the period. Recommended." ~sa-cd.net"

CD Info:

Anton Bruckner - Sinfonie Nr. 3 d-moll

Symphonie-Orchester des Bayerischen Rundfunks / Rafael Kubelik

Label: Audite
Catalog#: 92.543
Format: Hybrid-SACD, Album, Reissue, Remaster, Stereo Only
Country: Germany
Released: 2005, 1962
Genre: Classical
Style: Romantic, Symphonic

Tracklist:

Remastered Version(SACD/CD):

1 Maessig Bewegt 20:15
2 Adagio (Etwas Bewegt) Quasi &ante 16:11
3 Scherzo. Ziemlich Schnell 7:00
4 Finale. Allegro 14:33

Original Version (SACD only):

5 Maessig Bewegt 20:12
6 Adagio (Etwas Bewegt) Quasi &ante 16:20
7 Scherzo. Ziemlich Schnell 7:00
8 Finale. Allegro 14:22

Live Recording - November 9, 1962, Munich, Herkulessaal der Residenz.

"This is a fascinating audiophile's introduction to the effect of the remastering engineers apply which happily comes allied to a good performance of Bruckner's 3rd Symphony from Kubelik & "his" orchestra.

As part of Audite's Listen & Compare series (other titles are: Mahler: Symphony No. 8 - Kubelik, Schubert: Symphonies Nos. 3 & 8 - Kubelik & Schubert: Mass No. 6 - Kubelik), the listener can compare the original tapes (haveing been repaired & re-spliced if needed) to a version (which is presented first on the SACD & is the version on the RBCD layer) which the engineers have gone to work so that "tape noise & disturbing noises are reduced to a minimum, pre-echoes & echoes removed, rests revised & the recording sound improved as much as possible". The two versions are presented back-to-back on the stereo SACD layer, eliminating a need to change layers to hear the difference.

Before examining the differences in sound quality, the performance. Kubelik has chosen the 1877/78 version of Bruckner's score & this shortened version (compared to the 1873 original score) is presented with admirable humanity. Throughout the tempi are well chosen & the pulse is kept steady in a manner similar to Karajan's approach to Bruckner although without the allusions to spiritual gr&eur that Karajan often sought. The performance taken from a single performance shows just how good the Bavarian Radio Symphony Orchestra were in the 1960's (this concert was held on 09/11/1962 & for a November night, the audience is admirably quiet!) Apart from a small lapse of intonation by the trumpets in the Adagio, there is nothing else of criticism that can be levelled at the orchestra nor at Kubelik. In fact, if you don't respond well to the spiritual approach, this performance is nicely straightforward without the anonymity that some people can be accused of today. Those who dislike applause need not fear as it has been excised.

The comparison between the two versions is very interesting. The "altered" version sounds slightly brighter (arguably a very little overly so) & ever-so-slightly plastic compared to the more "natural" sound of the unaltered version. However, I did not feel like this at all upon first listen & the differences are so slight as to be unnoticable (in this case) for much of the time. Still, the 1962 is not first rank for todays st&ards but is very good for the period.
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