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7-10-2015, 06:29

Patricia Petibon - Poulenc: Stabat Mater, Gloria, Litanies a la Vierge Noire (2013)

Category: Music

Patricia Petibon - Poulenc: Stabat Mater, Gloria, Litanies a la Vierge Noire (2013)

Patricia Petibon - Poulenc: Stabat Mater, Gloria, Litanies a la Vierge Noire (2013)
EAC Rip | Flac (Tracks + cue + log) | 244 MB | MP3 320Kbps CBR | 153 MB | 1 CD | Full Scans
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 001931002

“Marking 50 years since the death of French composer Francis Poulenc, star soprano Patricia Petibon is the soloist in new recordings of his most rapturously beautiful sacred works; “Gloria” and “Stabat Mater”. Conductor Paavo Järvi also makes his DG recording debut, conducting the Orchestre de Paris and their renowned choir.

This major new release for Poulenc year brings together music of breathtaking beauty and originality, as well as Poulenc’s profoundly human spirituality. The album also features Poulenc’s passionate ‘Litanies à la Vierge noire’ (‘Litanies to the black Madonna’), written in response to the tragic death of a fellow composer – a work new to the DG catalogue and performed in the composer’s lesser-known arrangement with orchestral accompaniment. The album is released ahead of the December premiere of a high-profile new production of Poulenc’s famous sacred opera Dialogues des Carmélites at the Théâtre des Champs-Elysées, in which Patricia Petibon will debut the leading role of Blanche de La Force – an event which will focus the musical world on the memory of a French composer with a truly individual voice.

Composer: Francis Poulenc
Performer: Patricia Petibon
Orchestra/Ensemble: Orchestre de Paris, Orchestre de Paris Chorus ”


Reviews: The anniversaries of composers’ births naturally tend to attract more attention than those of their deaths, so it’s little surprise that the fiftieth anniversary of Francis Poulenc’s death has been rather eclipsed by the multi-centenary celebrations of the births of Britten, Wagner and Verdi - but I couldn’t let 2013 go by without sparing a few minutes to reflect on his unique contribution to sacred music in particular.

Just days before his death in 1963, Poulenc likened his religious faith to that of a ‘curé de campagne’ (‘rural clergyman’) and this lovely new disc brings together three of his sacred works – the Gloria and Stabat Mater for soprano solo, mixed choir and orchestra, and the early Litanies à la Vierge noire for female voices and orchestra, written in 1936 as a response to the death of the composer’s close friend Pierre-Octave Ferroud, a promising composer who was killed aged just 36 in a road accident in Hungary.

The grieving Poulenc’s visit to the Marian shrine of the ‘Black Madonna’ of Rocamadour in south-western France kick-started not only a life-long compositional interest in sacred music (he completed the Litanies in little more than a week) but also a resurgence of his Catholic faith. Anticipating the Gregorian chant-like lines of the better-known Quatre motets pour un temps de pénitence, it’s a stark, dissonant, yet compelling work which is brought off with an ideal mixture of severity and religious ecstasy by the ladies of the Parisian choir here.

The exuberant Gloria of 1960 opens the disc, in a feisty performance which never shies away from the work’s brassy extrovert elements or over-eggs the more introspective moments (listen out for the rapt, weightless singing from the soprano soloist in the Agnus Dei). But for me the real discovery on this disc was the Stabat Mater, another work inspired by the death of a close friend: written in 1950, it was conceived as a memorial to the theatrical designer Christian Bérard (his death was also commemorated in Jean Cocteau’s Orphée, partially as a tribute to his ground-breaking designs for the film La Belle et la Bête four years earlier) and like the Litanies à la Vierge noire it came into being following a visit to Rocamadour. It’s an intriguing, idiosyncratic work which melds stern neo-Baroque counterpoint (shades of Pergolesi in the spare opening) and plainchant elements with the bittersweet language of the salon, whilst never lapsing into mawkishness or insincerity.

The performances by the Orchestre et Choeur de l’Orchestre de Paris under Paavo Järvi are superb: the upper voices are outstanding for their warmth and purity, and some occasional rawness in the tenors is the only small blot on a choral sound which manages to be sensuous but never sleazy, and incisive without ever sounding mannered. The orchestra clearly have this music in their bones, with punchy, tangy brass-playing in the Gloria and Stabat Mater, plenty of textural clarity and a lovely feeling for the Baroque pastiche passages in the latter work in particular. The characterful French coloratura soprano Patricia Petibon is an inspired choice of soloist: her eclectic stage career has encompassed the high French Baroque heroines of Rameau and Lully as well as twentieth-century roles, and her early-music experience pays dividends in the austere passages of the Stabat Mater, whilst the louche sensuality of Berg’s Lulu (one of her most recently acclaimed roles) occasionally comes out to play in the Gloria.

So if you’d like a Gallic palate-cleanser amid the glut of Britten, Verdi and Wagner, do spare an hour to celebrate the glittering urbanity and ‘rustic faith’ of a composer who died just fifty years ago.”


Tracklisting:

1. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – I. Gloria (02:26)
2. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – II. Laudamus te (03:01)
3. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – III. Domine Deus (04:27)
4. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – IV. Domini Fili Unigenite (01:21)
5. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – V. Domine Deus, Agnus Dei (06:25)
6. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – VI. Qui sedes ad dexteram Patris (06:17)
7. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – Litanies à la Vierge noire (09:12)
8. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – I. Stabat Mater dolorosa (03:52)
9. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – II. Cujus animam gementem (00:59)
10. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – III. O quam tristis (02:41)
11. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – IV. Quae moerebat (01:29)
12. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – V. Quis est homo (01:22)
13. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – VI. Vidit suum (03:23)
14. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – VII. Eja mater (01:09)
15. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – VIII. Fac ut ardeat (02:27)
16. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – IX. Sancta mater (03:08)
17. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – X. Fac ut portem (03:54)
18. Choeur de l'Orchestre de Paris, Orchestre de Paris & Paavo Järvi – XI. Inflammatus et accensus (01:57)
19. Patricia Petibon, Orchestre de Paris, Paavo Järvi & Choeur de l'Orchestre de Paris – XII. Quando corpus (04:28)



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Patricia Petibon, Chœur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi / Stabat Mater; Gloria; Litanies à la Vierge noire

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